Artist: Renaissance
Genre(s):
Pop
Rock
Rock: Progressive
Discography:
Tales of 1001 Nights- Volume I
Year: 1999
Tracks: 11
Tales of 1001 Nights Vol. 2
Year: 1999
Tracks: 8
Ocean Gypsy (Michael Dunford's Versions)
Year: 1997
Tracks: 9
The Other Woman
Year: 1995
Tracks: 10
Tales Of 1001 Nights (CD 2)
Year: 1990
Tracks: 8
Tales Of 1001 Nights (CD 1)
Year: 1990
Tracks: 11
Songs From Renaissance Days
Year: 1985
Tracks: 10
Time-line
Year: 1983
Tracks: 10
Camera Camera
Year: 1982
Tracks: 9
Azure d'Or
Year: 1979
Tracks: 10
A Song for All Seasons
Year: 1978
Tracks: 8
Novella
Year: 1977
Tracks: 5
Live In Royal Albert Hall With Royal Philharmonic Orchestra
Year: 1977
Tracks: 9
Live In Carnegie Hall
Year: 1977
Tracks: 9
Scheherazade And Other Stories
Year: 1975
Tracks: 4
Turn Of The Cards
Year: 1974
Tracks: 6
Ashes Are Burning
Year: 1973
Tracks: 6
Renaissance
Year: 1969
Tracks: 5
Renaissance The Masters Series CD2
Year:
Tracks: 1
Renaissance The Masters Series CD1
Year:
Tracks: 1
The history of Renaissance is basically the history of two branch groups, instead similar to the two phases of the Moody Blues or the Drifters. The original mathematical group was founded in 1969 by ex-Yardbirds members Keith Relf and Jim McCarty as a sort of progressive folk-rock dance orchestra, world Health Organization recorded deuce albums (of which only the first, self-titled LP came proscribed in America, on Elektra Records) just never quite an made it, disdain some success on England's campus circuit.
The dance orchestra went through several rank changes, with Relf and his sister Jane (wHO later fronted the very Renaissance-like Illusion) exiting and McCarty all merely bypast after 1971. The unexampled lineup formed round the core of bassist Jon Camp, keyboard player John Tout, and Terry Sullivan on drums, with Annie Haslam, an aspirant isaac Bashevis Singer with operatic training and a three-octave range.
Their outset album in this incarnation, Prologue, released in 1972, was considerably more ambitious than the original band's work, with extended implemental passages and soaring vocals by Haslam. Their discovery came with their future record, Ashes Are Burning, issued in 1973, which introduced guitar player Micheal Dunford to the batting order and featured some searing galvanic licks by invitee axeman Andy Powell. Their next track record, Reverse of the Cards, released by Sire Records, had a much more flowery songwriting style and was flooded in lyrics that alternated betwixt the topical and the mystical.
The group's ambitions, by now, were growing quicker than its consultation, which was concentrated on America's East Coast, specially in New York and Philadelphia -- Scheherazade (1975) was built around a 20-minute elongated suite for rock chemical group and orchestra that dazzled the fans just made no new converts. A alive album recorded at a New York concert date reprised their sooner material, including the "Scheherazade" suite, only covered small new ground and showed the radical in a reasonably lethargic personal manner. The band's next two albums, Novelette and A Song for All Seasons, failed to recover new listeners, and as the seventies closed tabu, the chemical group was running headlong into the punk and new wave booms that made them seem more and more anachronistic and unsaved to cult status.
Their '80s albums were released with less than world-wide or level national flash, and the chemical group split up up in the early '80s amid reported personality conflicts between members. During 1995, however, both Haslam and Dunford made attempts to vivify the Renaissance name in different incarnations, and Jane Relf and the other surviving members of the original band were reportedly planning to launch their possess Renaissance revival which, if cipher else, may hold back the courts and some trademark attorneys busy for a small while.
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