 Artist: Schiller: mp3 download Genre(s): Ambient Trance Dance Schiller's discography:  Prologue Year: 2005 Tracks: 7  Leben (CD 2) Year: 2004 Tracks: 1  Weltreise Year: 2002 Tracks: 18  Voyage Year: 2002 Tracks: 18  Zeitgeist Year: 2001 Tracks: 1  Das Glockenspiel (Single) Year: 2001 Tracks: 9  Ein Schoener Tag (Single) Year: 2000 Tracks: 6  Zeitgeist (CD 2) Year: 1999 Tracks: 1  Zeitgeist (CD 1) Year: 1999 Tracks: 12  Ruhe (Single) Year: 1999 Tracks: 4  Liebesschmerz (Single) Year: 1999 Tracks: 5 Named after the German poet Friedrich Schiller, the yield duad of Schiller is Mirko von Schlieffen and Christopher von Deylen. The 2 layer trance beat generation and spoken poesy, which resulted in a duad of spell chart-toppers in Europe in the late '90s and early 2000. Aside from the Schiller project, both Schlieffen and Deylen exploit on outside projects. Zeitgeist pronounced the band's debut in early 2001. A unmarried featuring vocalizer Heppner appeared early in 2002, followed presently by the wide-cut distance Voyage album. |
Friday, 22 August 2008
Mp3 music: Schiller
Tuesday, 12 August 2008
Wednesday, 6 August 2008
Effects On Mental Health Assessed After Devastating Tsunami In Sumatra
�Researchers examined the levels of send traumatic stress reactivity (PTSR) of over 20,000 adult tsunami survivors by analyzing survey data from coastal Aceh and North Sumatra, Indonesia. The findings are from the first-class honours degree wave of a long-term prospective longitudinal follow-up study examining the nature and course of mental health consequences and moderating influences among a population in Indonesia moved by the 2004 Indian Ocean tsunami. Survey respondents were classified into trio damage zones using satellite imagery of their pre-tsunami locations of residence from before and after the disaster.
Overall, 34 pct of the respondents experient the psychic trauma of either hearing the tsunami wave or screams about it and 6 percent watched family or friends struggle or disappear. Both exposure to traumatic events at the time of the tsunami and subsequent PTSR scores were highest for respondents from heavily discredited areas. Scores declined over time for respondents from all trey damage zones. Gender and age were significant predictors of PTSR, whereas socioeconomic status before the tsunami was non.
"We anticipate that this 5-year subject will provide important cognition about long-term mental health outcomes after catastrophic catastrophe and a rationale for attention by international health organizations to sustain interventions beyond the immediate postcrisis period, and will guide the economic consumption of bedded public mental health postdisaster programs," the study's authors forecast.
[From: "Mental Health in Sumatra After the Tsunami,"].
The American Journal of Public Health is the monthly Journal of the American Public Health Association (APHA), the oldest and most diverse organization of public health professionals in the world. APHA is a leading publisher of books and periodicals promoting reasoned scientific standards, action programs and public policy to enhance wellness.
American Journal of Public Health
More info
Overall, 34 pct of the respondents experient the psychic trauma of either hearing the tsunami wave or screams about it and 6 percent watched family or friends struggle or disappear. Both exposure to traumatic events at the time of the tsunami and subsequent PTSR scores were highest for respondents from heavily discredited areas. Scores declined over time for respondents from all trey damage zones. Gender and age were significant predictors of PTSR, whereas socioeconomic status before the tsunami was non.
"We anticipate that this 5-year subject will provide important cognition about long-term mental health outcomes after catastrophic catastrophe and a rationale for attention by international health organizations to sustain interventions beyond the immediate postcrisis period, and will guide the economic consumption of bedded public mental health postdisaster programs," the study's authors forecast.
[From: "Mental Health in Sumatra After the Tsunami,"].
The American Journal of Public Health is the monthly Journal of the American Public Health Association (APHA), the oldest and most diverse organization of public health professionals in the world. APHA is a leading publisher of books and periodicals promoting reasoned scientific standards, action programs and public policy to enhance wellness.
American Journal of Public Health
More info
Thursday, 3 July 2008
Renaissance
Artist: Renaissance
Genre(s):
Pop
Rock
Rock: Progressive
Discography:
Tales of 1001 Nights- Volume I
Year: 1999
Tracks: 11
Tales of 1001 Nights Vol. 2
Year: 1999
Tracks: 8
Ocean Gypsy (Michael Dunford's Versions)
Year: 1997
Tracks: 9
The Other Woman
Year: 1995
Tracks: 10
Tales Of 1001 Nights (CD 2)
Year: 1990
Tracks: 8
Tales Of 1001 Nights (CD 1)
Year: 1990
Tracks: 11
Songs From Renaissance Days
Year: 1985
Tracks: 10
Time-line
Year: 1983
Tracks: 10
Camera Camera
Year: 1982
Tracks: 9
Azure d'Or
Year: 1979
Tracks: 10
A Song for All Seasons
Year: 1978
Tracks: 8
Novella
Year: 1977
Tracks: 5
Live In Royal Albert Hall With Royal Philharmonic Orchestra
Year: 1977
Tracks: 9
Live In Carnegie Hall
Year: 1977
Tracks: 9
Scheherazade And Other Stories
Year: 1975
Tracks: 4
Turn Of The Cards
Year: 1974
Tracks: 6
Ashes Are Burning
Year: 1973
Tracks: 6
Renaissance
Year: 1969
Tracks: 5
Renaissance The Masters Series CD2
Year:
Tracks: 1
Renaissance The Masters Series CD1
Year:
Tracks: 1
The history of Renaissance is basically the history of two branch groups, instead similar to the two phases of the Moody Blues or the Drifters. The original mathematical group was founded in 1969 by ex-Yardbirds members Keith Relf and Jim McCarty as a sort of progressive folk-rock dance orchestra, world Health Organization recorded deuce albums (of which only the first, self-titled LP came proscribed in America, on Elektra Records) just never quite an made it, disdain some success on England's campus circuit.
The dance orchestra went through several rank changes, with Relf and his sister Jane (wHO later fronted the very Renaissance-like Illusion) exiting and McCarty all merely bypast after 1971. The unexampled lineup formed round the core of bassist Jon Camp, keyboard player John Tout, and Terry Sullivan on drums, with Annie Haslam, an aspirant isaac Bashevis Singer with operatic training and a three-octave range.
Their outset album in this incarnation, Prologue, released in 1972, was considerably more ambitious than the original band's work, with extended implemental passages and soaring vocals by Haslam. Their discovery came with their future record, Ashes Are Burning, issued in 1973, which introduced guitar player Micheal Dunford to the batting order and featured some searing galvanic licks by invitee axeman Andy Powell. Their next track record, Reverse of the Cards, released by Sire Records, had a much more flowery songwriting style and was flooded in lyrics that alternated betwixt the topical and the mystical.
The group's ambitions, by now, were growing quicker than its consultation, which was concentrated on America's East Coast, specially in New York and Philadelphia -- Scheherazade (1975) was built around a 20-minute elongated suite for rock chemical group and orchestra that dazzled the fans just made no new converts. A alive album recorded at a New York concert date reprised their sooner material, including the "Scheherazade" suite, only covered small new ground and showed the radical in a reasonably lethargic personal manner. The band's next two albums, Novelette and A Song for All Seasons, failed to recover new listeners, and as the seventies closed tabu, the chemical group was running headlong into the punk and new wave booms that made them seem more and more anachronistic and unsaved to cult status.
Their '80s albums were released with less than world-wide or level national flash, and the chemical group split up up in the early '80s amid reported personality conflicts between members. During 1995, however, both Haslam and Dunford made attempts to vivify the Renaissance name in different incarnations, and Jane Relf and the other surviving members of the original band were reportedly planning to launch their possess Renaissance revival which, if cipher else, may hold back the courts and some trademark attorneys busy for a small while.
Coldplay - Coldplay Slam Plagiarism Claims
No cookie dough for Tim
HEADLINING a festival where you're rewarded with a constant supply of Ben &
Jerry's sounds like enough to make anyone salivate - that is, except TIM
BURGESS.
Bill-toppers THE CHARLATANS will rock the main stage at Sundae On The
Common in Clapham next month, where ice-cream will be coming out of people's
ears.
But after taking drugs for 20 years, The Charlatans' frontman has turned his
life around - and exists on a mostly wheat-free, diary-free and gluten-free
diet.
Imagine depriving yourself of the mouth-watering flavours when you're not
even allergic to them.
But thankfully the band have requested two sorbet flavours for their rider -
so Tim doesn’t feel left out when the rest of them are indulging.
Indie God Burgess said: "I am really excited at the prospect of playing
at this years Ben & Jerry’s festival, it has it all... the weather, the
line up and the atmosphere.
"The band have wanted to play there for a while now but due to other
commitments we were unable to so we are glad to finally be getting the
opportunity this summer."
Support for the July 26 and 27 weekender comes from the GUILLEMOTS, DELAYS,
CHARLOTTE HATHERLEY, FLORENCE AND THE MACHINE, BRIGHTLIGHTS
and THE TROUBADOURS.
For tickets visit Ben & Jerry's
Jerry's sounds like enough to make anyone salivate - that is, except TIM
BURGESS.
Bill-toppers THE CHARLATANS will rock the main stage at Sundae On The
Common in Clapham next month, where ice-cream will be coming out of people's
ears.
But after taking drugs for 20 years, The Charlatans' frontman has turned his
life around - and exists on a mostly wheat-free, diary-free and gluten-free
diet.
Imagine depriving yourself of the mouth-watering flavours when you're not
even allergic to them.
But thankfully the band have requested two sorbet flavours for their rider -
so Tim doesn’t feel left out when the rest of them are indulging.
Indie God Burgess said: "I am really excited at the prospect of playing
at this years Ben & Jerry’s festival, it has it all... the weather, the
line up and the atmosphere.
"The band have wanted to play there for a while now but due to other
commitments we were unable to so we are glad to finally be getting the
opportunity this summer."
Support for the July 26 and 27 weekender comes from the GUILLEMOTS, DELAYS,
CHARLOTTE HATHERLEY, FLORENCE AND THE MACHINE, BRIGHTLIGHTS
and THE TROUBADOURS.
For tickets visit Ben & Jerry's
'Hancock' going off before the fireworks
Many theaters will begin screening Tuesday night
Sony just can't wait to release its big Will Smith starrer "Hancock," so it isn't.
Most of the 3,965 theaters that have booked the superhero action film through the upcoming Independence Day weekend have scheduled "Hancock" showtimes beginning at 7 p.m. Tuesday.
"It's one of those big popcorn-picture wide releases that is going to appeal to every kind of moviegoer," Sony distribution president Rory Bruer said.
But though that broad appeal might make it a no-brainer to unspool "Hancock" at least a couple days in advance of the Friday holiday -- letting word of mouth spread through the boxoffice weekend -- Sony's intent to include the film's Tuesday night grosses in its Wednesday totals is sure to draw some criticism. Records are tallied of movie openings of all sorts, including best opening-day performances, and "Hancock" is sure to post a big number Wednesday.
"It will probably get an asterisk," Bruer acknowledged.
Midnight screenings are commonly lumped in with next-day grosses, but it's much less common for a studio to do so with earlier showtimes.
"What time does a picture have to open on a Tuesday before it's considered a Tuesday gross?" a rival distribution exec fumed.
"Hancock" already has drawn some brickbats from a more predictable contingent: film critics. Some early reviews have been tough, suggesting that the film's flawed-superhero premise looked better on paper than it does up on the big screen.
Still, "Hancock" appears relatively critic-proof, with $100 million-plus over its first 5 1/2 virtually guaranteed.
Also, Sony execs are hoping the critical reaction will balance out, once all reviews are in.
"You're going to see some very good reviews as well," Bruer said.
Theater owners certainly seem stoked about getting the film.
"The level of interest in 'Hancock' is very high, and advanced ticketing has been strong," said Carlo Petrick, a spokesman for Marcus Theatres, whose 56 locations throughout the Midwest are onboard with Tuesday night showtimes.
"If this were October, it probably wouldn't be a good idea to do this," Petrick said. "But to do it in the middle of the summer, when schools are out and with all the interest in the film, I think it will do very well on Tuesday night."
Marcus is marketing the availability of "Hancock" in one of its Milwaukee theaters in so-called 4K projection -- the highest-resolution available in digital exhibition.
Once the weekend rolls around, the question for "Hancock" will be how much heft is left in its bow after the boxoffice cream is scooped off midweek. "Transformers," from DreamWorks/Paramount, opened on a Tuesday, July 3, last year and rung up $70.5 million during the subsequent Friday-Sunday.
Sony has a few different trailers of "Hancock" that it will run as TV spots throughout the week. One of the clips makes the title character's sizable flaws more apparent than in other marketing materials.
"There were various trailers based on different audiences and who we were appealing to," Bruer said. "When you have a pic of this magnitude, you don't have just one."
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